Just For Now (Digital Download)

*Jazzy Contemporary Composition* which could be played in a swing style. Features some syncopation.

_x005F_x000D_

1. Just For Now

_x005F_x000D_

Please note that due to the automated delivery of virtual products including pdf downloads, PayPal payment is required at the checkout – we are unable to accept the cheque payment method for these items.

_x005F_x000D_

_________________________________________________________________________________________________________________________________________

_x005F_x000D_

The Recorder Magazine Winter 2018

_x005F_x000D_

Sheet Music Reviews

_x005F_x000D_

Allye Sinclair – Just for Now. SAATB

_x005F_x000D_

Orpheus Music OMP237

_x005F_x000D_

This jazzy piece was originally written for the 20th anniversary of Orpheus Music in Australia, and first performed at the Orpheus Recorder Boutique in January 2015. Allye Sinclair is a cellist, composer and teacher based in Adelaide, south Australia. She is a composer of instrumental and vocal pieces including a musical or children. She plays and sings original music with candlelight, Inkling and Sneak’s Noise, and teaches music at the Willunga Waldorf School.

_x005F_x000D_

Just For Now begins in 4/4 with the soprano playing the first theme in a duet with a tenor. The first alto joins the soprano on the second time through the theme, as the bass anchors the first and third beats of the measure with eighth notes. In m.16 soprano and tenor introduce and repeat a short second theme. A third theme starts in the first alto while the soprano and second alto play eighth note off beats. In m29, soprano and first alto return to the opening theme until m36 when another new theme is introduced by the soprano and tenor in unison, followed by a return to the second theme, also in the soprano and tenor.

_x005F_x000D_

A 3/4 bridge for four measures leads to a 6/8 section, shifting the feel from a triple to a duple. After a series of short ascending lines starting in the bass and moving up, similar to a trumpet fanfare, the top three lines play repeated eighth notes as the bass shines in a 17-measure solo.

_x005F_x000D_

Returning to 4/4, a slow second bridge restates the first theme in the soprano line, while the other instruments hold long notes. At the a tempo, the second theme and third theme care brought back.

_x005F_x000D_

Near the end, the second alto and tenor play a unison descending line, with the soprano joining the unison fr the next measure. All five parts play in unison in the penultimate measure, ending in the final cord.

_x005F_x000D_

As can be seen from the above, this is a playful and complex piece that the publishers web site notes say should be dine in a ‘swing style’. It would be appropriate and fun for an intermediate level recorder society session with a good teacher to lead the group through the transitions. The most rhythmically challenging spots are off-beats, mostly in the soprano, but those spots are easy to hear and quick to learn.

_x005F_x000D_

All parts have the theme at different points, and the long solo bass line is not too demanding. This would be a good ensemble piece for players to learn to listen for ad to play along with other parts that are playing the same rhythms or that are sharing thematic material.

_x005F_x000D_

Review written by Bruce Calvin

_x005F_x000D_

_____________________________________________________________________________________________________________________________________________

_x005F_x000D_

_Score 8 pp. Downloadable PDF file._

_x005F_x000D_

_x005F_x000D_

_x005F_x000D_